Sitemap - 2024 - Appetite for Deconstruction
The Second Annual AFD Goldie Awards
'The Brutalist' Is a Masterful Condemnation of the American Fantasy
Battle of the High-Concept Throwbacks
Movies and TV Shows for Which to Be Thankful in 2024
The Class of 1999: 'Being John Malkovich'
'Anora' Is Funny, Moving, and Complex
The Sublime Insouciance of 'Terrifier 3'
The Class of 1999: 'Fight Club'
'Joker: Folie à Deux' Is Punk Rock
Not-So-Live From New York, It’s ‘Saturday Night’
Matthew Goldenberg's 'Francis Ford Coppola's Megalopolis: A Fable': A Review
'The Substance' Is Droll, Disgusting, and Disturbing
My Middle Age Ass Reviews 'My Old Ass'
'The Front Room' Is Much Better Than You’ve Heard
The Class of 1999: 'Three Kings'
The Less You Know About 'Strange Darling,' the Better
The Class of 1999: 'American Beauty'
A Lengthy, Spoiler-Filled Discussion of 'Alien: Romulus'
The Class of 1999: 'Beau Travail'
'Twisters' Is the Summer’s Strongest Soporific
A Long Ramble About 'Longlegs'
The Class of 1999: 'The Sixth Sense'
Seven Short Films by Ari Aster
The Class of 1999: 'The Iron Giant'
Ti West's 'X' Trilogy Ends With Neither a Bang Nor a Whimper
The Best Films of 2024 (So Far)
'A Quiet Place' Needs to Shut the $%@! Up
'The Bikeriders' Should Be Called 'Boogie Bikes'
Sado-Masochism Rules in 'Kinds of Kindness'
'Hundreds of Beavers,' Hundreds of Laughs
The Class of 1999: 'Eyes Wide Shut'
You Will Have a Violent Reaction to ‘In a Violent Nature’
‘Boy Kills World,’ Critic Reviews Movie
The Class of 1999: 'Mystery Men'
'The Last Stop in Yuma County' Announces Francis Galluppi as a Major New Talent
'Babes' Is a Raunchy, Sweet Platonic Love Story
I Saw the Ministry of Ungentlemanly Warfare Glow
So I Guess I’m the Guy Who Enjoyed ‘Unfrosted’
Review of the 'Kingdom of the Planet of the Apes'
'Arcadian': A Not-So-Quiet Place
A Charismatic Cast Nearly Saves 'The Fall Guy'
'Abigail' Is a Perfect Movie in an Imperfect World
'Rebel Moon Part Two' and Zack Snyder’s Obsession With “A Good Death”
‘Sting’: Along Came a Giant Man-Eating Spider From Another Planet
The Class of 1999: 'South Park: Bigger, Longer & Uncut'
The Class of 1999: 'Run Lola Run'
'Monkey Man': You, Sir, Are No John Wick
'The First Omen': The Horrors of Womanhood
Luc Besson's 'DogMan' Is Some Weird Sh*t
Godzilla Plus One: 'Godzilla x Kong: The New Empire'
The Class of 1999: 'Ghost Dog: Way of the Samurai'
Why is 'Late Night With the Devil' a Found Footage Film?
'Ghostbusters: Frozen Empire' Is Bad, but Easy to Watch
'Road House' 2024 Is Marginally Less-Silly Than 'Road House' 1989
The Class of 1999: 'The Virgin Suicides'
'Ghostbusters: Afterlife' Stinks Like a Rotting Corpse
'Invader' is Excellent and Deeply Unpleasant
'Immaculate' is 75% Crap, 25% Instant Camp Classic
'Love Lies Bleeding': Don't Drive Away, Dolls
Steve McQueen’s 'Occupied City' is Self-Serving and Insincere
The Insanely Bizarre ‘Napoleon’ Moment We All Missed
'Dune: Part Two' Neither Chips Nor Shatters
'Dune: Part One': The Spice and the Damage Done
Hollywood's A.I. Wars Begin in Earnest Thanks to... 'Road House'?!?!
The Class of 1999: 'Following'
'Madame Web' Is the Comedy Event of the Season
'She Is Conann': She Is Cuckoo
Movies to Watch if You’re Single on Valentine’s Day
The Class of 1999: 'The Matrix'
Everything You Always Wanted to Know about the SSU*
Is ‘Lisa Frankenstein’ a Future Misunderstood Cult Classic?
'Out of Darkness': In the Stone Age, No One Can Hear You Scream
'The Promised Land': There Will Be Hugs
The Class of 1999: 'Office Space'
'How to Have Sex' is Subtle and Scary
'The Beekeeper' Knows You’ve Got Other Sh*t to Do
Oscar Snubs Are Both Terrible and Meaningless
The Class of 1999: 'The Blair Witch Project'
The Right Ones Will Get 'Destroy All Neighbors'
'Succession,' 'Sanctuary,' and the Shadows of Our Fathers
The Class of 1999: 'The Sopranos'
Studies in Loneliness: 'All of Us Strangers' and 'Fallen Leaves'
On the 'Barbie' Screenplay Controversy
'The Prestige,' Russian Doll Narrative, and the Meaning of Life